Click to watch short promo video for 5x15

The tenth collaborative partnership of Baldwin Wallace University Music Theatre Program and Beck Center for the Arts brings you the winners of National Alliance for Musical Theatre’s “5 x 15: Five World Premiere Fifteen-Minute Musicals,” a virtual production.

National Alliance for Musical Theatre Executive Director, Betsy King Militello shares: “In all times, but especially challenging times, we believe that musical theatre has the power to elevate the human experience and uplift each other. The 15-Minute Musical Challenge, inspired and supported by the Alhadaff Family Charitable Foundation, was developed to inspire creativity during the early days of social distancing. We are thrilled to see five of the winning musicals see further development with Beck Center for the Arts and Baldwin Wallace University."

Submissions of completed 15-minute musicals or 15 minutes of a new full-length project were submitted to NAMT in May 2020. The winning submissions received a cash prize through the generous and enthusiastic support of the Alhadeff Family Charitable Foundation.

Requirements included:

This will be a blind review process and the script and demos cannot include writer information
One submission per writer
All writers are eligible to submit (US and International)
Digital submissions only
This is for brand-new work only, written after March 19, 2020

These five winning fifteen minute brand new musical pieces were produced by Beck Center for the Arts, in collaboration with Baldwin Wallace University Music Theatre Program.

Scott Spence, Artistic Director of Beck Center for the Arts in Lakewood, Ohio:

"Pandemic or no, we were determined that this 10th anniversary of the Beck Center/Baldwin Wallace collaboration must go on. With the addition of the National Alliance for Musical Theatre as a partner, we could not be more excited to offer the World Premiers of 5 brand new musicals. Composers and lyricists from around the country have been working with us since August 2020 and it's thrilling to put all of this collaboration to work on a national level.”

Collaborator Victoria Bussert, head of Baldwin Wallace Music Theatre Program in Berea, Ohio:

“I was very honored to be asked to read a large number of the 15-minute musicals for NAMT and to serve on the final selection committee. The creativity of these pieces is truly inspiring; it's thrilling for our BWMT students to have the unique opportunity to work with our guest directors and these fantastic writing teams.”

Beck Center continues its proud collaboration with Baldwin Wallace University Music Theatre Program (BWMT) with Victoria Bussert leading the program. Also a director of one of the winning pieces, Perpetual Sunshine and the Ghost Girls, Victoria says, “I was very honored to be asked to read a large number of the 15-minute musicals for NAMT and to serve on the final selection committee. The creativity of these pieces is truly inspiring; it's thrilling for our BWMT students to have the unique opportunity to work with our guest directors and these fantastic writing teams.”

The creative teams behind the music, lyrics, and performances of these virtual productions are award-winning, talented, and diverse individuals. Perpetual Sunshine and the Ghost Girls, musical director Matthew Webb, musical director and technologist for this fifteen-minute musical also serves as musical coordinator and video technologist for the whole of the 5x15 project. Matthew is Music Director of Music Theatre at Baldwin Wallace University where he recently music directed the academic premiere of Kinky Boots. He is also resident music director at Great Lakes Theater, Idaho Shakespeare Festival, and Lake Tahoe Shakespeare Festival. He most recently worked with Beck Center as musical director of The Scottsboro Boys, in collaboration with BWMT. Music by Lynne Shankel and words by Sara Cooper, this short musical is an all-woman+ through-composed musical theatre piece about the capitalist exploitation of workers’ bodies and rights in the face of a national public health crisis. The show is based on the true story of the women who fought United States Radium Corporation in the 1920s for knowingly poisoning them and subsequently changed United States labor laws forever. This is the first 15 minutes of the full length piece-in-progress. Lynne was the musical supervisor/arranger/orchestrator of Allegiance, and the first woman to solely orchestrate a new musical on Broadway. Sara Cooper is a playwright-lyricist who has received the Jonathan Larson Grant, Overall Excellence Award in Playwriting, and Time Out NY Critic’s Pick.

Holo, set in 2189 in a holograph museum, the curator and holographic Kyle enter into a unique relationship which recounts the year 2020 and the pandemic that came with it on an ever repeating loop. Book, music, and lyrics by Nico Juber, an 18-year survivor of cancer and mother of two children. She has previously written a 90-minute musical called Millennials Are Killing Musicals. Matthew Webb serves as musical director resource/technologist. Ciara Renee directs. As an actress, Ciara most recently starred as "Elsa" in FROZEN (on Broadway). She originated "The Witch" in BIG FISH (Broadway), appeared as "The Leading Player" in PIPPIN (Broadway), and originated “Esmeralda" in The Hunchback of Notre Dame at the Paper Mill Playhouse. She is also known for her work as "Peggy/Maria" in the final lab of Hamilton.

Rodeo Clowns is a queer, western epic about two eccentric outcasts who save the heart of their disintegrating town. This whip crack comedy act features a colorful musical-country score. Dale Sampson is the book writer and half the brains of “bits,” a street clown duo. Sam’s Room was featured in NAMT's Festival of New Musicals, Red Mountain Theatre Company’s first Human Rights New Works Festival, was the inaugural recipient of New York Theatre Barn's IMPACT Award and played an extended developmental production at the Cell Theatre, starring Sampson. A member of Actor’s Equity, he's performed with Gallery Players (Rent, Evita), the American Pops Orchestra (Cinderella), New York Musical Theatre Festival (Propaganda!) and the regional premiere of The View Upstairs. Marc Campbell wrote the music. Marc is also known as a member of indie rock band MisterWives, dubbed by MTV as “the golden children of pop.” They currently have over 250 million streams and counting on Spotify and their first single was certified gold. The band recently played a sold-out show at Madison Square Garden playing with Brendon Uri (Panic! at the Disco). Marc has made numerous television performances, including Jimmy Kimmel, James Corden, Seth Meyers, MTV, Good Morning America and The Today Show.

Sara Bruner directs. Sara is Associate Artistic Director of Great Lakes Theater and Idaho Shakespeare Festival, and recipient of the 2018 Princess Grace Award, Directing. Musical direction is by Matthew Webb.

Monster on the Lawn is directed by Jon Martinez, who directed the BWMT and Beck Center collaboration of The Scottsboro Boys. He was the Cleveland director and choreographer of the regional premiere of Be More Chill at Playhouse Square in association with Baldwin Wallace! He has worked extensively in Chicago IL. This fifteen-minute musical centers around Ricky, a six-year-old boy with a growing imagination, wakes up to see a whale-like creature laying on his front lawn. When an incoming hurricane threatens to separate Ricky from his family and his home, he seeks comfort in the presence of this strange and seemingly-quiet monster. Obed De La Cruz wrote book, music and lyrics. Obed is an arts student at Stanford University, focusing on a BA in Theater & Performance Studies. Musical direction is by Lindsay Miller, a senior in the Baldwin Wallace Music Theatre Program.

Eric Jones wrote book and lyrics for White Man’s Burden, music by Joshua S. Davis. Eric won Best Screenplay Short at 2020 National Black Film Festival for The Knowledge Men and his Musical Liberators was accepted into the 2018 Chicago Musical Theater Festival. This irreverently funny and powerful mini-rock musical, White Man’s Burden, takes place inside of the world of sideshow "freaks" who have been killed because of the color of their skin. They are led by an emcee who is part ringmaster/part infomercial host. He spotlights the oppression and suffering of African Americans during 400 years through a musical kaleidoscope of songs. When asked about composing for this musical challenge he said his inspiration, “Came to me as simply watching my morning news and seeing an African American man named George Floyd for 8 minutes and 46 seconds get lynched in front of the whole world. I was shocked, I was angry and I was saddened. This was my wake up call to create meaningful art that will combat this ugly sin called racism. Hence, the musical White Man's Burden was born.” Joshua has many musical talents, as a composer, songwriter, and singer from Detroit, MI, he also teaches music. Directed by Nathan Henry. Nathan is the recipient of the 2018 Cleveland Scene Theatre Award for Best Director for Karamu House’s critically acclaimed production of Passing Strange. He directed the Cleveland Public Theatre production of Ya Mama!, written and performed by Nina Domingue which appeared at the Hollywood Fringe Festival. He is an alum of Baldwin Wallace University Conservatory of Music. Ed Ridley Jr, serves as musical director for White Man’s Burden. Ed serves as music director for the Christian Fellowship Center Church and is also on the music faculty at Cuyahoga Community College. His versatility and talent as a performer have allowed him to accompany such great artists as Aretha Franklin, Lauryn Hill, Walter Hawkins, Jon Hendricks, and Clark Terry. His most recent work with Beck Center was as musical director for Lady Day at Emerson’s Bar & Grill.